The Princeton College Artwork Museum (PUAM) in New Jersey is opening a brand new, 146,000-sq.-ft facility on the coronary heart of the school campus on 31 October, doubling the scale of its former exhibition and art-education areas. The unique constructing was constructed within the Eighteen Eighties and noticed a number of additions and renovations over time earlier than being demolished in 2021. The imaginative and prescient for a complete new museum started years in the past, following the completion of the earlier museum’s final wing in 1980.
In response to James Steward, the director of PUAM, the earlier constructing solely had the capability to show round 2% of Princeton’s 117,000-object assortment, and entry to the remaining artwork for college kids, students and most people was dismal. The outdated constructing additionally had an “upstairs-downstairs drawback”, he tells The Artwork Newspaper, whereby Western artwork was “privileged, and every thing else was spatially secondary”.
“It was obvious the cobbled-together constructing was insufficient and didn’t account for the variety of collections we take care of, nor for the realities of Fashionable and up to date artwork, particularly works in new media or large-scale installations that weren’t possible in earlier a long time,” Steward says. “As a museum that aspires to be globe-spanning—if not encyclopaedic—one key design concern was how the collections might be in higher dialogue with one another, slightly than remoted in silos. The outdated constructing made that almost not possible. There was little or no alternative for the collections to talk to one another, or to the general public.”
Inside the brand new Princeton College Artwork Museum Photograph: Richard Barnes, courtesy the Princeton College Artwork Museum
The brand new museum constructing spans three flooring, with 9 interlocking pavilions and a number of entrances woven into the panorama of the college campus. Its structure, emphasising openness and permeability, consists of metal frames with concrete partitions and a façade clad in stone panels with polished and textured finishes and bronze accents. The brand new PUAM options round 80,000 sq. ft of exhibition area, along with lecture rooms, seminar rooms and a grand corridor.
The mission was introduced in 2018 and designed by Adjaye Associates in collaboration with the chief architect Cooper Robertson—the 2 groups additionally labored collectively on the Studio Museum in Harlem, which opens in mid-November. A number of museums severed ties with the architect David Adjaye following sexual-assault allegations in opposition to him (which he denies). Nonetheless, PUAM continued with its mission, stating that its constructing was already greater than 50% full when the allegations surfaced in 2023 and that different events took over managing the on-site development later within the course of.
Curators rethink themes
Inside the brand new museum area, curators sought to maneuver away from inflexible classes like geography and chronology. In response to Juliana Ochs Dweck, PUAM’s chief curator, “place and media stay helpful instruments”, however they sought to rethink the “seamless, homogeneous narrative” of the earlier constructing, which had “structural hierarchies that strengthened outdated values”. She additional notes that the gathering’s set up goals to “discover themes just like the human type, materiality, texture, color, end and panorama, modelling the sorts of interdisciplinary work we might be doing within the classroom”.
Whereas some galleries will nonetheless be thematic, every consists of cross-cultural and cross-media pairings. For instance, works by Winslow Homer are proven with these of artists like Jaune Fast-to-See Smith, and Andy Warhol’s Blue Marilyn (1962) is positioned in dialog with an Italian 14th-century Virgin and Youngster.
Inside the brand new Princeton College Artwork Museum Photograph: Richard Barnes, courtesy the Princeton College Artwork Museum
A number of artworks had been commissioned or acquired to be built-in into the structure, with some drawing inspiration from the museum’s assortment. Diana Al-Hadid’s The Ziggurat Splits the Sky (2024-25), a ghostly sculpture on the east terrace constituted of aluminium and painted by hand bronze strips, references the ziggurat type, historic stone monuments and Princeton’s excavation historical past. Jane Irish’s ceiling portray Cosmos Past Atrocity (2024) is a Renaissance-style, fresco-like work depicting scenes of violence that comes with components from the gathering, together with historic oil lamps from Antioch. And Tuan Andrew Nguyen has created Naga (2024), a 20ft-high kinetic cellular related in spirit to the work of Alexander Calder. It contains polished discs constituted of unexploded Vietnam Warfare-era ordnances, and it hangs above an historic Medusa-head mosaic, reflecting themes of reincarnation and renewal.
As well as, Nick Cave’s 40ft-tall mosaic Let me kindly introduce myself. They name me MC Prince Brighton. (2024) is put in in a coated out of doors area and welcomes guests to the museum. It depicts a determine accompanied by golden Adinkra symbols—every carrying meanings like peace, reality or braveness—and a picket armature constituted of timber felled on website. Acquisitions embody JunKaneko’s ovoid glazed-ceramic sculpture Untitled (Dango 13-11-27) (2013), situated open air on the museum’s north aspect and appearing as a landmark for the constructing. And visual each from inside and outdoors, Rose B. Simpson’s Heights I (2022) on the south terrace centres up to date Indigenous and diasporic voices.
1000’s of latest works donated
The museum opens with the exhibition Princeton Collects (31 October-29 March 2026), which spans two galleries and round 150 works chosen from a group of two,000 whole items donated to PUAM since 2021 for the brand new area. These presents have strengthened the gathering throughout all areas, with the present that includes landmark works by Gerhard Richter, Helen Frankenthaler, Zanele Muholi and others.
Southwest façade of the brand new Princeton College Artwork Museum Photograph: Richard Barnes, courtesy the Princeton College Artwork Museum
One other inaugural exhibition is Toshiko Takaezu: Dialogues in Clay (31 October-5 July 2026). Earlier than her dying in 2011, the late Japanese ceramicist—who taught on the college from 1967 to 1992—bequeathed to the museum round 40 of her signature “closed types”, non-functional enclosed vessels. PUAM’s present locations Takaezu’s ceramics in dialogue with works by artists like Kitaōji Rosanjin, who deeply influenced Takaezu, and Robert Motherwell, whose ink drawings Takaezu studied.
An exhibition spotlight opening in March 2026 might be Willem de Kooning: The Breakthrough Years, 1945-50. Impressed and organised round a cornerstone of the museum’s assortment, the portray Black Friday (1948), the present partly re-creates de Kooning’s debut exhibition at New York’s Charles Egan Gallery in 1948. One other exhibition, together with hardly ever seen works by Jean-Michel Basquiat, is scheduled for later within the 12 months.
PUAM is planning a grand opening of its new area with a 24-hour open home beginning at 5pm on Friday and that includes a Halloween-costume contest, movie screenings, yoga lessons, poetry readings and different occasions. Sooner or later, the museum plans to host lectures, panel discussions, live shows and different public programming, along with recurrently rotating its assortment galleries.
“Now we have probably the most sprawling collections of any college campus and have deliberately tried to grasp the advantages of that and what it means to place totally different cultural traditions in dialog with the twenty first century,” Steward says. “The galleries are profoundly impactful. They encourage individuals to see acquainted artists in new methods and invite guests to actively take part in making that means.”
Princeton College Artwork Museum opens with a 24-hour open home, 31 October-1 November
